Impressive and impressive crack-up…
and the other one
Impressive and impressive crack-up…
and the other one
Sometime in the dark ages – more than 15 years ago – I invested in a Nikon SLR 6006 with a nice 35-135mm zoom lens and it served me well until the dawn of the (reasonably priced) digital age. Early DSLRs were way too expensive and not worth the money, so I went with a few consumer digital cameras for some years, one of them also a Nikon, albeit not with exchangeable lens.
For many years my old 6006 sat in the closet losing value but I always had in mind that at one point I would invest in a DSLR and then I could use the nice lens which was about five hundred bucks in the days I acquired it.
The time of the DSLR finally came in form of a Canon T4i. I had strongly considered waiting for the perfect mirror-less camera, but the deal I got on the Canon – I just could not pass up. I did not go with a Nikon DSLR because I also wanted to use the camera for video and Canon seemed to be superior in that department. Thus, I still had that good Nikon lens sitting there without any use. The idea of selling it on eBay shattered quickly when I saw for how little these cameras were traded – it really appears the time of the 35mm film is over.
I finally a reasonable offer for an adapter for Nikkor AF lenses to EOS bodies and it arrived today.
First test with that ‘good’ Nikkor lens were rather disappointing. It appears that lens technology has made long strides over the last decade and a half. The lack of transfer of data to and from the lens through the adapter (none) was no big deal, as I grew up, focusing manually and with the camera set to aperture priority the exposure was still pretty automatic – if I wanted. One feature of the Nikkor lens I was looking for was the macro range – at 35mm I could push one little button and extend the barrel quite a bit further, thus getting much closer to the subject.
Here the closes with the Nikkor
and the closest I could get with the Canon 18-55
That was pretty good, but then I wanted to see how it fared when I looked closer, and this is where the disappointment took hold.
Big bad color fringes on the Nikkor lens
at least in the out-of-focus areas of the image while the Canon lens showed no such faults
I will have to make some more test to see how the aperture will affect this behavior as, I believe, the Nikkor was wide open, while the Canon was exposing with the lens closed to 11. Now I start to imagine how the quality will be for a modern lens for the price of the old Nikkor, and even more so for a modern lens that I can not justify to buy.
What this little experiment really drove home to me is that the experts are right when they say that glass is more important than body.
The above was written sometime in March of 2013. Since then I looked into other options of getting a closer look at things without using the macro setting on the Nikkor lens.
When it was time to buy something from Amazon with a price under the minimum to get free shipping, I added a Macro Extension Tube Set and a Macro Reverse Ring Camera Mount Adapter. The first one simply adds distance between the sensor and the lens, thus allowing to focus on objects closer to the lens (but losing the ability to focus on infinity with a ring inserted). The second allows to reverse the lens and mount it on the camera with the filter thread, allowing for extreme close-up shorts.
When I received these adapters I took my trusted lens cap and took a few shots to compare with what I could get with the old Nikkor lens. This time I was positively surprised. I got the same good quality of the image with my 18-55 lens – much better than the old Nikkor lens.
Now, that I have a solution to do close-up photography without the use of the Nikkor lens I can put that lens on eBay again, throwing in the body of the 6006 which I have not been able to just throw away so far.
Many years ago that I read the Lensman series by Doc E. E. Smith, the precursor to all modern space opera that came after it. Even at the time I read it the technology was dated as these books were written in the 40s and 50s (and even I had no read them when they were first published), but that all did not matter to me at all. These were just great stories.
My first read was in a German translation and I am rather certain that I read at least a few of the books in English after I came to the US of A. For a long time now I wanted to read them again but these books are hard to come by – most of them were out of print and I believe still are – you can’t really find them on Amazon in form of inexpensive paperbacks, maybe as bound collectors items but not for an amount that I was willing to spend.
So I had given up for a while to find a complete set, but recently discovered the first, Triplanetary, as an ebook and am about to finish it on my tablet (apparently the only useful application for a tablet.)
As I was approaching the last few pages I needed the next one – First Lensman. Quite a bit of googling later I finally hit the mother-lode at Arthur’s Bookshelp. He had them all and as I was at it, I also got the Skylark series for the time when I’m done with the Lensmen. That could be a few years at the slow pace I am going.
Just in case you need the sequence of the book, because it is sometimes hard to figure it out the chronology:
And here – as we are at it, the sequence of the Skylark series:
Find out what’s wrong with this picture.
I finally did, and it is pretty creepy…
Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
“‘Tis some visitor,” I muttered, “tapping at my chamber door-
Only this, and nothing more.”
Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow;- vainly I had sought to borrow
From my books surcease of sorrow- sorrow for the lost Lenore-
For the rare and radiant maiden whom the angels name Lenore-
Nameless here for evermore.
And the silken, sad, uncertain rustling of each purple curtain
Thrilled me- filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating,
“‘Tis some visitor entreating entrance at my chamber door-
Some late visitor entreating entrance at my chamber door;-
This it is, and nothing more.”
Presently my soul grew stronger; hesitating then no longer,
“Sir,” said I, “or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you”- here I opened wide the door;-
Darkness there, and nothing more.
Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word, “Lenore?”
This I whispered, and an echo murmured back the word, “Lenore!”-
Merely this, and nothing more.
Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
“Surely,” said I, “surely that is something at my window lattice:
Let me see, then, what thereat is, and this mystery explore-
Let my heart be still a moment and this mystery explore;-
‘Tis the wind and nothing more!”
Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately Raven of the saintly days of yore;
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door-
Perched upon a bust of Pallas just above my chamber door-
Perched, and sat, and nothing more.
Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore.
“Though thy crest be shorn and shaven, thou,” I said, “art sure no craven,
Ghastly grim and ancient Raven wandering from the Nightly shore-
Tell me what thy lordly name is on the Night’s Plutonian shore!”
Quoth the Raven, “Nevermore.”
Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning- little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blessed with seeing bird above his chamber door-
Bird or beast upon the sculptured bust above his chamber door,
With such name as “Nevermore.”
But the Raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
Nothing further then he uttered- not a feather then he fluttered-
Till I scarcely more than muttered, “Other friends have flown before-
On the morrow he will leave me, as my hopes have flown before.”
Then the bird said, “Nevermore.”
Startled at the stillness broken by reply so aptly spoken,
“Doubtless,” said I, “what it utters is its only stock and store,
Caught from some unhappy master whom unmerciful Disaster
Followed fast and followed faster till his songs one burden bore-
Till the dirges of his Hope that melancholy burden bore
Of ‘Never- nevermore’.”
But the Raven still beguiling all my fancy into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and door;
Then upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore-
What this grim, ungainly, ghastly, gaunt and ominous bird of yore
Meant in croaking “Nevermore.”
This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom’s core;
This and more I sat divining, with my head at ease reclining
On the cushion’s velvet lining that the lamp-light gloated o’er,
But whose velvet violet lining with the lamp-light gloating o’er,
She shall press, ah, nevermore!
Then methought the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose footfalls tinkled on the tufted floor.
“Wretch,” I cried, “thy God hath lent thee- by these angels he hath sent thee
Respite- respite and nepenthe, from thy memories of Lenore!
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!”
Quoth the Raven, “Nevermore.”
“Prophet!” said I, “thing of evil! – prophet still, if bird or devil! -
Whether Tempter sent, or whether tempest tossed thee here ashore,
Desolate yet all undaunted, on this desert land enchanted-
On this home by Horror haunted- tell me truly, I implore-
Is there- is there balm in Gilead?- tell me- tell me, I implore!”
Quoth the Raven, “Nevermore.”
“Prophet!” said I, “thing of evil! – prophet still, if bird or devil!
By that Heaven that bends above us- by that God we both adore-
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore-
Clasp a rare and radiant maiden whom the angels name Lenore.”
Quoth the Raven, “Nevermore.”
“Be that word our sign in parting, bird or fiend,” I shrieked, upstarting-
“Get thee back into the tempest and the Night’s Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken!- quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!”
Quoth the Raven, “Nevermore.”
And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon’s that is dreaming,
And the lamp-light o’er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted- nevermore!
Today the wait was over – the second half of season 7 of Dr. Who has started.
I bet that most views of the show happened on the official channels like BBC America here in the US of A, but, as we are out in the boons, with the cable left behind, we depended on the good old pirate bay to get our fix of Dr. Who (obviously this is a lie, as we would never download any tv show illegally.) Had we actually looked at the torrents we would have been surprised by all the buzz on the interconnected pipes that make up the internet. Way over 2000 seeders is rather rare, and still, download speed would have been – had we done that – still rather slow, so there would have been many, many people as excited to find out about the Doctor’s new adventures and all with a new companion.
Had we been able to watch the show after downloading it illegally we would have been able to actually watch it on the west coast before it officially aired. As I write this, it’s only a bit after the show ended and we would have finished it hours ago – way ahead of all the people waiting for the BBC to start it – Man – are time zones cool, or what?
I’m really curious if the Doctor will get lucky with this companion, but I’m not really holding my breath as one of the big tensions in the series is that that never happens. Strange things can happen if time travel is involved, like Amy turning out to be the Doctor’s mother in law – who comes up with those things?
Thanks, Steven Moffat!
I have mentioned the spaceship Orion previously in my post about Living Under Water. The German science fiction TV series Space Patrol (Raumpatrouille) follows the crew of the space ship Orion on their adventures through the galaxy.
I remember waiting very excitedly for the première of the series and then every next week’s show. It came out at about the same time in 1966 as the original Star Trek, but it was much later that I finally watched my first Star Trek episode and it confirmed the German arrogance that we (the Germans) are better at creating things but it also confirmed the other stereotype that America is much better in marketing. Orion lasted seven episodes with a remastered movie version in the early 2000s, while Star Trek is still going strong after nearly half a century. Sets and special effects were so much more creative than the original Star Trek even though some people dared to make fun of some of the props, like the electric iron used to do some mysterious tuning task on the navigation console. In my mind then, those people just didn’t get it.
I do have the whole series on DVD and it is about time to watch it again, but today I enjoyed running into another fan of the series who took his admiration for the show a bit further than just buying the DVDs – he created stunning illustrations of the adventures of the star cruiser Orion.
I discovered Crossvalley Smith through a post on Facebook that featured one of his illustrations from the Perry Rhodan universe, another sweet memory of mine, a science fiction series published as weekly pulp novellas.
A scene from a landing of the Orion on a desert planet has for now replaced an anime illustration as my computer wall paper – go check out Crossvalley’s site, maybe you find something you enjoy.
I got myself some nice Canon T4i but I can’t figure out where to put that film in, of which I still have a few rolls and which I don’t want to let go to waste.
I think I like Nikon better because on the old 6006, I still have, there was not problem with that – I just opened the back – and there is the space where the film fit in. I got the back of my new T4i open but there is still no place for that roll of film, only all that electronic stuff, chips and wires and such – hmmm.
But, jokes aside, I know there is no more film produces any more – at least not in form of a mass production – and that I would have a hard time to find a lab these days that could still develop film. This roll on the right is probably about 15 years old and expired so solidly that there would be hardly anything on it any more, even if there was a process to develop it with.
But I got to think about that when I ran into a video of photographer Steve McCurry, securing the last role of Kodachrome produced in 2009 and going on a world tour to shoot that last roll ever to leave the factory.
Reminded me of the beginning of my photography career back in Germany. Obviously, with the German arrogance, I did not use Kodachrome – the colors were just too American to satisfy a German eye – we used Agfachrome which displayed a softer gradient of colors and saturation. Back then I always shot slide film and I don’t really remember what my reason was to suddenly get into film for color prints when I got a much better camera – the Nikon 6006 – after coming to the US of A. It might have been because there was an affordable service to give me, with the prints, a scan of the images I could download from the lab’s web site. Another reason probably was, that I was not a purist any more and did break down and took memory photos – back in my early days that would never had happened – the shutter was pressed only when art came out.
This very selective pressing of the shutter was paramount for Steve McCurry when he shot the very last role of Kodachrome. Here is his report…
This documentary got me very interested in Mr. McCurry and I found this interview with him.
PS: Reminded me that, during my early days of photography (with Agfachrome), I considered it a good outcome when I got one good shot from a role of film.
When I was in my late teens, starting to read science-fiction, I was sure that by now we would regularly traveling to other planets and had settlements on the moon, and the flying car was a given.
But many of these things are still only subject of science-fiction, but something totally unimagined has materialized – a network that did make the world’s knowledge accessible from the palm of my hand. I knew there would be talking robots but that I would be able to access all data with just a query – I just hadn’t thought of.
Found this interesting video of visual thoughts of how the future might look like…
But with that last experience, what’s really going to happen, will be something totally different altogether.
My first encounters with computers were through the medium of punch cards and line-printers.
Thus, finding the Google60 art project made me a bit nostalgic. The project tries to show how you would interact with the all-pervasive Google through the mediums of the 60s.
Click on the image to experience it yourself…